Some things for you

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Deviation Actions

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Hello lovely deviants, 

I just thought I'd let you know that the podcast I've been working, Audio Stage, on is up and running. It is very much a theatre podcast but the conversation is very engaging and I'd love you to check it out. Our most recent episode with Angela Conquet is my favourite so far and, if you've ever wondered what I sound like, I'm the one that doesn't have a French or Croatian accent and talking about how great wine is at the top of the episode. You can find us on iTunes  or at our website. 

Now, some writing for you:


One day, when I was fifteen, I attended an event ran by an organisation which provided legal aid to asylum seekers. At the end of the talk, I walked up to them and asked if there was anything I could do to help. It turns out there was. A week later my dad took me to their office where we picked up a dictation machine and three cassette tapes. As the lawyer handed them over she paused and looked at my dad. “I hope your daughter is open-minded,” she said. “She is going to hear some very extreme stuff.” And I did.

These were the tapes of asylum seeker hearings and every hearing I transcribed ended with asylum being denied, which was why this group now had the tapes, so as to assemble a defence for a re-hearing. (They could not be called ‘re-trials’ because, apparently, the refugee was not on ‘trial’ despite all evidence to the contrary.)

Look, the horror of the individual cases does blur together. The voices were coming from a compound in the middle of a desert via webcam, through a translator sitting in a room in Adelaide with a thick Middle Eastern accent, through a tape recorder and into my ears. I know there were rapes, death threats, dead families, torture and humiliation. What I remember more clearly than the terror was the bureaucracy. We were swimming in it.

“Please place your hand on the Quran and swear – ”

“I can’t.”

“Why?”

“He says to me, ‘you know! You are a Muslim. You tell them!’”

“I’m sorry?”

“He has not washed. He cannot touch the Quran when he has not washed.”

They tried for quite a while, these men in Adelaide, to wash the hands of a man in Woomera but in the end the request proved too complicated for the system and they had to proceed without an oath. He was handcuffed, you see. For the whole five hour hearing. This was not usual practice but he was ‘a trouble maker’.

This exchange has stuck with me for twelve years. The irony of expecting a man to be devout enough to swear an oath on his holy book without taking into account the needs of a devout man. A devout, hand-cuffed man in the middle of a desert. And yes, there were moments of humanity. Moments when men pleaded for their freedom and safety but it was the bureaucratic inhumanity that I most clearly retain.

And in the end, appropriately enough, my job vanished in a cloud of bureaucracy: the group lost access to tapes. New rules dictated that, instead of being given to the defence team, they would be sent to Sweden (I think Sweden, somewhere a very, very long way away) where an accent analyser would determine that perhaps the man came from a town two towns over from the town he said he came from. That he was a liar because his accent told a slightly different story than his words did.

The morning after Howard was re-elected for his third term I went for a walk. I wandered through the suburbs and asked, “Who are the people voting for this system? Do they know? I hope they don’t because what does that say of my countrymen and women if they know and still say ‘do it.’”



This is from a blog post of mine. I post regularly at schoolforbirds.wordpress.com. Again, it is mostly theatre but I've been told (by a non-theatre deviantart friend actually) that it is extremely accessible writing and I have plenty of non-theatre people read it passionately. I do things like grab random audience members straight after a show and interview them about it. My favourite of these resulted in me getting both a young couple and the guys parents talking about a show that involved a man sodomising himself with a microphone live on stage. It was actually wonderful having two generations talk about the show with depth and respect and just a touch of horror. 

This post was in response to a show by MKA: Theatre of New Writing called 'The Grace of Officials'. 
© 2014 - 2024 Halohid
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I-meghan-I's avatar
i'm not sure why but this post makes me want to tell you that i love you.

your writing and life experiences are so powerful and i really do hope that your voice is heard on a very large scale one of these days because i have the undeniable feeling that you need to be heard.

and not just you but the people you speak for, that speak through you, for the stories they have shared with you that you then share with us through your blog, writings, plays, singing.... through the comments left on your writings... through all of these things.

i really hope this happens one day.

oh i'm getting emotional now xx